Comments on: Religious experience enhanced
http://www.meetingsalongtheedge.com/2007/09/02/religious-experience-enhanced/
Design Anthropology & Experience DesignMon, 04 May 2009 07:00:04 +0200http://wordpress.org/?v=2.9.2hourly1
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<p>We're excited to hear that <a href="http://www.ponoko.com">Ponoko</a>, the popular, laser-cutter based, online fabrication system, is teaming up with SparkFun to offer electronic hardware as part of its catalog of materials, allowing makers to create polished, custom electronic products. Touch-sensitive, gps-enabled, music-producing robots that feed your cat come to mind.</p><a href="http://www.core77.com/blog/object_culture/make_custom_electronic_goods_online_ponoko_and_sparkfun_team_up__17281.asp">(more...)</a>
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<p>If you're one to fantasize about having control over large-scale robots in a public space (to do good, not evil, of course), Kram/Weisshaar has teamed up with Audi to make your dreams come true during the 2010 London Design Festival.</p>
<p>As this year's Trafalgar Square Installation, Clemens Weisshaar and Reed Kram designed <a href="http://www.outrace.org/">Outrace</a>, an interactive installation in which the public - both those in Trafalgar Square and a remote global web audience - send instructions to eight large-scale industrial robots, on loan from Audi's manufacturing line. Through the Outrace website during the Festival, participants can send text messages from phones and computers, which are then transcribed as 3D light messages by the installation.</p><a href="http://www.core77.com/blog/events/london_design_festival_2010_preview_robots_in_trafalgar_square_17267.asp">(more...)</a>"
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<p>If you're one to fantasize about having control over large-scale robots in a public space (to do good, not evil, of course), Kram/Weisshaar has teamed up with Audi to make your dreams come true during the 2010 London Design Festival.</p>
<p>As this year's Trafalgar Square Installation, Clemens Weisshaar and Reed Kram designed <a href="http://www.outrace.org/">Outrace</a>, an interactive installation in which the public - both those in Trafalgar Square and a remote global web audience - send instructions to eight large-scale industrial robots, on loan from Audi's manufacturing line. Through the Outrace website during the Festival, participants can send text messages from phones and computers, which are then transcribed as 3D light messages by the installation.</p><a href="http://www.core77.com/blog/events/london_design_festival_2010_preview_robots_in_trafalgar_square_17267.asp">(more...)</a>"
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<p>2010's <a href="http://www.timetodesign.eu/">Time to Design Award</a> was presented to Norweigan <a href="http://www.sirenelisewilhelmsen.com/">Siren Elise Wilhelmsen</a> for her project <em>Developing Time—Time Developing,</em> a clock that knits 48 meshes per day, and produces one two meter long scarf per year. </p><a href="http://www.core77.com/blog/object_culture/siren_elise_wilhelmsen_wins_time_to_design_2010_with_her_knitting_clock__17251.asp">(more...)</a>
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<p>2010's <a href="http://www.timetodesign.eu/">Time to Design Award</a> was presented to Norweigan <a href="http://www.sirenelisewilhelmsen.com/">Siren Elise Wilhelmsen</a> for her project <em>Developing Time—Time Developing,</em> a clock that knits 48 meshes per day, and produces one two meter long scarf per year. </p><a href="http://www.core77.com/blog/object_culture/siren_elise_wilhelmsen_wins_time_to_design_2010_with_her_knitting_clock__17251.asp">(more...)</a>
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string(3602) "<p>Hello new and current students. And welcome to read this blog. Hopefully someone in the classroom will tell you about this, so that all of you can start blogging and finding out about all the marvelous things related to IxD. I graduated about a year ago, and been looking for a job ever since. Alas, I’ve had no luck. Here are some advices to all you students in getting a job.</p>
<p>1) If you don’t have previous work experience before you came to the school, take a year off and do those internships. You cannot get a job unless you have at least a year of experience, preferably more. All the interviews I’ve had, have failed because of this. Internships are easy to get, when you are still in school, after that, no chance whatsoever. Try to get at least 2 companies to your CV, preferbaly more.</p>
<p>2)And your final thesis, make sure you have a sponsor for it. Don’t do overly futuristic stuff, or if you do make sure it ties down to the basics of IxD. The companies are interested if you have the capability to do the stuff, before they are in your ideas.</p>
<p>3)As soon as you graduate, the places you go for interviews will start asking if you can do wireframes, patterns and flowcharts. If you don’t know what those are, don’t worry. They are the simplest thing ever and you probably can do better.</p>
<p>4) Learn to code. HTML, Javascript, PHP and all that jazz is very good to know, and I guarantee it will help you in getting a job. Flash is pretty much dead, the reasons for that are pretty much all over the web and is related to the runtime itself, still, it’s up to you if you want to learn it as a lot of companies still use it. I wouldn’t.</p>
<p>5) Physical computing is great, it’s fun, it’s the future and you should learn to do it, but, the truth is.. nobody is interested in the future, unless they have a lot of money and/or genuine interest to do it. Almost every company I have interviewed at say that it’s interesting and they want to do that, but lack of funding or interest towards hardware interaction is a hard sell for marketing people. Things might change soon, though, as NFC phones are becoming mainstream next year, at least most of the Nokias. More about that later.</p>
<p>6) Get enthusiastic. There is nothing worse than a designer not believing in design. Use this blog or make your own (another good thing to learn, hack WordPress) to report your findings to the world. If you love yourself too much, you can also use Twitter to do it ;) Talk about future technologies with everyone, go to conferences and get really drunk with the people there, talk about interactions while you are drunk, it’s great fun.</p>
<p>7) Learn to design mobile stuff. Before it was web, now it’s mobile apps. Don’t limit yourself to iPhones, as good as they are, they are meant for rich people.</p>
<p>8) Don’t worry about operating systems or design guidelines and things called “Scrum” or “Agile”, you really can live without those. They may help you in getting job, however. But, the job you are gonna get is closer to development than design work. Your choice.</p>
<p>9) Do a really nice portfolio, that has a mixture of mobile, web, ethnographics, psychology, the future, physical computing, (maybe flowcharts), paper prototypes, “design thinking” (I know, a clichee), collaborative working and more! </p>
<p>10) Do those internships! I can’t emphasize enough how important job experience is.</p>
<p>Good luck, and don’t drink those 3,5′s, they won’t get you drunk, but you will get a terrible hangover.</p>"
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string(3602) "<p>Hello new and current students. And welcome to read this blog. Hopefully someone in the classroom will tell you about this, so that all of you can start blogging and finding out about all the marvelous things related to IxD. I graduated about a year ago, and been looking for a job ever since. Alas, I’ve had no luck. Here are some advices to all you students in getting a job.</p>
<p>1) If you don’t have previous work experience before you came to the school, take a year off and do those internships. You cannot get a job unless you have at least a year of experience, preferably more. All the interviews I’ve had, have failed because of this. Internships are easy to get, when you are still in school, after that, no chance whatsoever. Try to get at least 2 companies to your CV, preferbaly more.</p>
<p>2)And your final thesis, make sure you have a sponsor for it. Don’t do overly futuristic stuff, or if you do make sure it ties down to the basics of IxD. The companies are interested if you have the capability to do the stuff, before they are in your ideas.</p>
<p>3)As soon as you graduate, the places you go for interviews will start asking if you can do wireframes, patterns and flowcharts. If you don’t know what those are, don’t worry. They are the simplest thing ever and you probably can do better.</p>
<p>4) Learn to code. HTML, Javascript, PHP and all that jazz is very good to know, and I guarantee it will help you in getting a job. Flash is pretty much dead, the reasons for that are pretty much all over the web and is related to the runtime itself, still, it’s up to you if you want to learn it as a lot of companies still use it. I wouldn’t.</p>
<p>5) Physical computing is great, it’s fun, it’s the future and you should learn to do it, but, the truth is.. nobody is interested in the future, unless they have a lot of money and/or genuine interest to do it. Almost every company I have interviewed at say that it’s interesting and they want to do that, but lack of funding or interest towards hardware interaction is a hard sell for marketing people. Things might change soon, though, as NFC phones are becoming mainstream next year, at least most of the Nokias. More about that later.</p>
<p>6) Get enthusiastic. There is nothing worse than a designer not believing in design. Use this blog or make your own (another good thing to learn, hack WordPress) to report your findings to the world. If you love yourself too much, you can also use Twitter to do it ;) Talk about future technologies with everyone, go to conferences and get really drunk with the people there, talk about interactions while you are drunk, it’s great fun.</p>
<p>7) Learn to design mobile stuff. Before it was web, now it’s mobile apps. Don’t limit yourself to iPhones, as good as they are, they are meant for rich people.</p>
<p>8) Don’t worry about operating systems or design guidelines and things called “Scrum” or “Agile”, you really can live without those. They may help you in getting job, however. But, the job you are gonna get is closer to development than design work. Your choice.</p>
<p>9) Do a really nice portfolio, that has a mixture of mobile, web, ethnographics, psychology, the future, physical computing, (maybe flowcharts), paper prototypes, “design thinking” (I know, a clichee), collaborative working and more! </p>
<p>10) Do those internships! I can’t emphasize enough how important job experience is.</p>
<p>Good luck, and don’t drink those 3,5′s, they won’t get you drunk, but you will get a terrible hangover.</p>"
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<br><br>Dirty Water Campaign ~ dirty water vending machine dropped in Manhattan for World Water Week! As part of UNICEF's Tap Project to make people realize just how bad water-related diseases are... <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>Check out this amazing concept for Mars. The agency FHV BBDO won a Gold Lion at Canne's Advertising Festival with this packaging people can share with personal messages. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>Amazing tree house hotel opens this weekend in Sweden. All the rooms are suspended in the trees and each are designed by different architects. Here the Mirrorcube reflects the surrounding forest. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>How does one build awareness for a premium range of non-stick pans? Develop a spectacular event using a giant wok and in-line skaters dressed as prawns, pork, eggs... For Sapor, by Leo Burnett, Shanghai. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>Fresh mammoth steaks, juicy dinosaur legs and tender sabertooth fillets. Fresh Stone Age meat in the freezer sections of supermarkets to promote the revolutionary cooling technology VitaFresh from Bosch. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>Great project "Urban Dive" by Pages Jaunes including augmented reality, immersive view and widgets. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>Great project "Urban Dive" by Pages Jaunes including augmented reality, immersive view and widgets. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<p><a href="http://www.volumique.com/en/">Les Editions Volumiques</a> finally launched their website showing plenty of curious and original products based on mixing paper and digital technologies:</p>
<blockquote><p>“<i>Here are the first pieces of les évolutions dynamiques following research on both volume and interactivity, playfully mixing paper and computation. By allowing interactivity and gameplay in the page (for example with the Duckette project) or between the pages (in The book that turns its own pages, or Labyrinthe), we try to bring new life to paper. We then pushed physical behavior to paper and ink (the book that disapears). There, the paper is no longer only the frame for representation, but at the same time the field of a real physical experience. We also played with the volume and perspective of book and content (paradoxales, Meeting-Zombies). And then, we tried to combine paper with this little computer-object almost of us all carry everywhere: our cell phone (the night of the living dead pixels, (i) pirates).</i>“</p></blockquote>
<p><b>Why do I blog this?</b> I find these projects fascinating and love the idea of mixing digital tech with paper to create compelling user experiences. The examples showed on the picture (see more on their website) are stunning and show the future of books go far beyond boring reading machines. The use of playful metaphors and game mechanics in the work of Bertrand and Etienne are also highly intriguing for those interested in inspiring ways to renew the reading experience.</p>
<p>Besides, if you’re interested in this type of “paper computing”, be sure to check the <a href="http://www.papercomp.org/Papercomp/PaperComp_2010.html">Papercomp 2010</a> workshop at Ubicomp. Organized by friends from EPFL, it’s based on similar ideas:</p>
<blockquote><p>“<i>Paper is not dead. Books, magazines and other printed materials can now be connected to the digital world, enriched with additional content and even transformed into interactive interfaces. Conversely, some of the screen-based interfaces we currently use to interact with digital data could benefit from being paper-based or make use of specially designed material as light and flexible as paper. In a near future, printed documents could become new ubiquitous interfaces for our everyday interactions with digital information. This is the dawn of paper computing. </i>“</p></blockquote>
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<p><a href="http://www.volumique.com/en/">Les Editions Volumiques</a> finally launched their website showing plenty of curious and original products based on mixing paper and digital technologies:</p>
<blockquote><p>“<i>Here are the first pieces of les évolutions dynamiques following research on both volume and interactivity, playfully mixing paper and computation. By allowing interactivity and gameplay in the page (for example with the Duckette project) or between the pages (in The book that turns its own pages, or Labyrinthe), we try to bring new life to paper. We then pushed physical behavior to paper and ink (the book that disapears). There, the paper is no longer only the frame for representation, but at the same time the field of a real physical experience. We also played with the volume and perspective of book and content (paradoxales, Meeting-Zombies). And then, we tried to combine paper with this little computer-object almost of us all carry everywhere: our cell phone (the night of the living dead pixels, (i) pirates).</i>“</p></blockquote>
<p><b>Why do I blog this?</b> I find these projects fascinating and love the idea of mixing digital tech with paper to create compelling user experiences. The examples showed on the picture (see more on their website) are stunning and show the future of books go far beyond boring reading machines. The use of playful metaphors and game mechanics in the work of Bertrand and Etienne are also highly intriguing for those interested in inspiring ways to renew the reading experience.</p>
<p>Besides, if you’re interested in this type of “paper computing”, be sure to check the <a href="http://www.papercomp.org/Papercomp/PaperComp_2010.html">Papercomp 2010</a> workshop at Ubicomp. Organized by friends from EPFL, it’s based on similar ideas:</p>
<blockquote><p>“<i>Paper is not dead. Books, magazines and other printed materials can now be connected to the digital world, enriched with additional content and even transformed into interactive interfaces. Conversely, some of the screen-based interfaces we currently use to interact with digital data could benefit from being paper-based or make use of specially designed material as light and flexible as paper. In a near future, printed documents could become new ubiquitous interfaces for our everyday interactions with digital information. This is the dawn of paper computing. </i>“</p></blockquote>
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<p><a href="http://www.risd.edu/">RISD</a> is now supplementing its diploma with an "Artrepreneur Starter Kit," helping the graduating class of 2010 get a head start on creative entrepreneurship. Kudos to RISD president John Maeda for arranging this kit. He believes that "a new kind of design-led leadership is needed to innovate out of this global economic crisis. Artists and designers can bring their intuitive, creative thinking to a broad array of fields, and become the drivers of economic possibility in our slowed economy." </p>
<p>The kit, pictured above, will include <a href="https://squareup.com/">Square</a>, an application and peripheral for receiving credit card payments on mobile devices, a pack of <a href="http://us.moo.com/en/products/business_cards.php">MOO</a> business cards, and a free license <a href="http://everfi.com">everfi.com</a>, a financial literacy platform. </p>
<p>It's hard to say whether this particular toolkit will make a difference or not, but RISD's supportive attitude towards creative entrepreneurship certainly will, and we hope more schools will follow suit.</p><a href="http://www.core77.com/blog/education/risds_artrepreneur_starter_kit_for_2010_graduates__16641.asp">(more...)</a>
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<p><a href="http://www.risd.edu/">RISD</a> is now supplementing its diploma with an "Artrepreneur Starter Kit," helping the graduating class of 2010 get a head start on creative entrepreneurship. Kudos to RISD president John Maeda for arranging this kit. He believes that "a new kind of design-led leadership is needed to innovate out of this global economic crisis. Artists and designers can bring their intuitive, creative thinking to a broad array of fields, and become the drivers of economic possibility in our slowed economy." </p>
<p>The kit, pictured above, will include <a href="https://squareup.com/">Square</a>, an application and peripheral for receiving credit card payments on mobile devices, a pack of <a href="http://us.moo.com/en/products/business_cards.php">MOO</a> business cards, and a free license <a href="http://everfi.com">everfi.com</a>, a financial literacy platform. </p>
<p>It's hard to say whether this particular toolkit will make a difference or not, but RISD's supportive attitude towards creative entrepreneurship certainly will, and we hope more schools will follow suit.</p><a href="http://www.core77.com/blog/education/risds_artrepreneur_starter_kit_for_2010_graduates__16641.asp">(more...)</a>
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<br><br>Absolutely gorgeous ambient maketing by Ray-Ban in Madrid's underground. Take a look at this pop-up store, a true ephemeral showroom. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>Absolutely gorgeous ambient maketing by Ray-Ban in Madrid's underground. Take a look at this pop-up store, a true ephemeral showroom. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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The BBC recently <a href="http://news.bbc.co.uk/2/hi/uk_news/politics/election_2010/8656578.stm">announced</a> [bbc.co.uk] that the results of the <a href="http://en.wikipedia.org/wiki/United_Kingdom_general_election,_2010">UK general election 2010</a> are to be projected on to St Stephen's Tower, world-famous as the clock tower that houses <a href="http://en.wikipedia.org/wiki/Big_Ben">Big Ben</a>.</p>
<p>The idea behind projecting the results in this way is to provide a clear and simple source of information and to create an "arresting" image. The results projection, which will be removed after dawn on 7 May, will feature a "winning line", representing the 326 seats that any party will need to win to be sure of an outright victory. The idea was approved by the parliamentary authorities, responsible for the management of its buildings and the BBC is said to be "delighted" with the initiative.</p>
<p>Via <a href="http://maranews.wordpress.com/2010/05/02/bbc-to-beam-general-election-results-on-to-big-ben/">Mara News</a> and <a href="http://datanamics.wordpress.com/2010/05/02/data-takes-to-the-street/">Datanemics</a>.</p>
<p><em>Note: the image on the left appeared at the BBC website. No clue why the Photoshop guy could not update the "2005" reference with a more appropriate year label. The other image originates from <a href="http://weblog.greenpeace.org/nuclear-reaction/uk/">Greenpeace</a>. I therefore hope the security has the perimeter around the tower covered for any potential data "skewing" from outside.</em></p>
<p>What do you think? Is it a useful way to display newsworthy information?</p><div>
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The BBC recently <a href="http://news.bbc.co.uk/2/hi/uk_news/politics/election_2010/8656578.stm">announced</a> [bbc.co.uk] that the results of the <a href="http://en.wikipedia.org/wiki/United_Kingdom_general_election,_2010">UK general election 2010</a> are to be projected on to St Stephen's Tower, world-famous as the clock tower that houses <a href="http://en.wikipedia.org/wiki/Big_Ben">Big Ben</a>.</p>
<p>The idea behind projecting the results in this way is to provide a clear and simple source of information and to create an "arresting" image. The results projection, which will be removed after dawn on 7 May, will feature a "winning line", representing the 326 seats that any party will need to win to be sure of an outright victory. The idea was approved by the parliamentary authorities, responsible for the management of its buildings and the BBC is said to be "delighted" with the initiative.</p>
<p>Via <a href="http://maranews.wordpress.com/2010/05/02/bbc-to-beam-general-election-results-on-to-big-ben/">Mara News</a> and <a href="http://datanamics.wordpress.com/2010/05/02/data-takes-to-the-street/">Datanemics</a>.</p>
<p><em>Note: the image on the left appeared at the BBC website. No clue why the Photoshop guy could not update the "2005" reference with a more appropriate year label. The other image originates from <a href="http://weblog.greenpeace.org/nuclear-reaction/uk/">Greenpeace</a>. I therefore hope the security has the perimeter around the tower covered for any potential data "skewing" from outside.</em></p>
<p>What do you think? Is it a useful way to display newsworthy information?</p><div>
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<p>2010's <a href="http://www.timetodesign.eu/">Time to Design Award</a> was presented to Norweigan <a href="http://www.sirenelisewilhelmsen.com/">Siren Elise Wilhelmsen</a> for her project <em>Developing Time—Time Developing,</em> a clock that knits 48 meshes per day, and produces one two meter long scarf per year. </p><a href="http://www.core77.com/blog/object_culture/siren_elise_wilhelmsen_wins_time_to_design_2010_with_her_knitting_clock__17251.asp">(more...)</a>
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<br><br>Dirty Water Campaign ~ dirty water vending machine dropped in Manhattan for World Water Week! As part of UNICEF's Tap Project to make people realize just how bad water-related diseases are... <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>Dirty Water Campaign ~ dirty water vending machine dropped in Manhattan for World Water Week! As part of UNICEF's Tap Project to make people realize just how bad water-related diseases are... <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>Check out this amazing concept for Mars. The agency FHV BBDO won a Gold Lion at Canne's Advertising Festival with this packaging people can share with personal messages. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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While there are more than plenty <a href="http://www.mediaarchitecture.org/">media architecture projects</a> around, most can be described as a form of spectacular self-centered architectural decoration, rather than some sort of technological answer to an existing social context within the local environment. The <a href="http://www.archdaily.com/23239/moodwall-studio-klink-and-urban-alliance/">Moodwall</a> [archdaily.com] might be one of the first exceptions. Moodwall is a 24-meter long interactive surface containing 25,000 LED lights, which acts as a stage for art and media in a neighborhood of Amsterdam. The wall, located in a low pedestrian tunnel, reacts to the movement of passers-by by dynamic light changes, with the overall aim to reduce the feeling of unsafeness in the local area. </p>
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<p>The curves in the wall should make it less suitable for grafitti and improve the visibility of the content from the sides. In addition, the resolution is horizontally stretched so the images of the screen so to stimulate people to watch the imagery from outside the tunnel and prevent the tunnel to become a hang-out spot.</p>
<p>Reminds me of the (now defunct?) <a href="http://infosthetics.com/archives/2006/01/interactive_waterfall_display_childrens_hospital.html">interactive waterfall</a>.</p><div>
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<br><br>Great project "Urban Dive" by Pages Jaunes including augmented reality, immersive view and widgets. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>Conflict Kitchen is a take-out restaurant that only serves cuisine from countries that the United States is in conflict with. The food is served out of a take-out style storefront, which will rotate identities every 4 months to highlight another country. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<p><a href="http://www.volumique.com/en/">Les Editions Volumiques</a> finally launched their website showing plenty of curious and original products based on mixing paper and digital technologies:</p>
<blockquote><p>“<i>Here are the first pieces of les évolutions dynamiques following research on both volume and interactivity, playfully mixing paper and computation. By allowing interactivity and gameplay in the page (for example with the Duckette project) or between the pages (in The book that turns its own pages, or Labyrinthe), we try to bring new life to paper. We then pushed physical behavior to paper and ink (the book that disapears). There, the paper is no longer only the frame for representation, but at the same time the field of a real physical experience. We also played with the volume and perspective of book and content (paradoxales, Meeting-Zombies). And then, we tried to combine paper with this little computer-object almost of us all carry everywhere: our cell phone (the night of the living dead pixels, (i) pirates).</i>“</p></blockquote>
<p><b>Why do I blog this?</b> I find these projects fascinating and love the idea of mixing digital tech with paper to create compelling user experiences. The examples showed on the picture (see more on their website) are stunning and show the future of books go far beyond boring reading machines. The use of playful metaphors and game mechanics in the work of Bertrand and Etienne are also highly intriguing for those interested in inspiring ways to renew the reading experience.</p>
<p>Besides, if you’re interested in this type of “paper computing”, be sure to check the <a href="http://www.papercomp.org/Papercomp/PaperComp_2010.html">Papercomp 2010</a> workshop at Ubicomp. Organized by friends from EPFL, it’s based on similar ideas:</p>
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<p><b>Why do I blog this?</b> I find these projects fascinating and love the idea of mixing digital tech with paper to create compelling user experiences. The examples showed on the picture (see more on their website) are stunning and show the future of books go far beyond boring reading machines. The use of playful metaphors and game mechanics in the work of Bertrand and Etienne are also highly intriguing for those interested in inspiring ways to renew the reading experience.</p>
<p>Besides, if you’re interested in this type of “paper computing”, be sure to check the <a href="http://www.papercomp.org/Papercomp/PaperComp_2010.html">Papercomp 2010</a> workshop at Ubicomp. Organized by friends from EPFL, it’s based on similar ideas:</p>
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<p><a href="http://www.risd.edu/">RISD</a> is now supplementing its diploma with an "Artrepreneur Starter Kit," helping the graduating class of 2010 get a head start on creative entrepreneurship. Kudos to RISD president John Maeda for arranging this kit. He believes that "a new kind of design-led leadership is needed to innovate out of this global economic crisis. Artists and designers can bring their intuitive, creative thinking to a broad array of fields, and become the drivers of economic possibility in our slowed economy." </p>
<p>The kit, pictured above, will include <a href="https://squareup.com/">Square</a>, an application and peripheral for receiving credit card payments on mobile devices, a pack of <a href="http://us.moo.com/en/products/business_cards.php">MOO</a> business cards, and a free license <a href="http://everfi.com">everfi.com</a>, a financial literacy platform. </p>
<p>It's hard to say whether this particular toolkit will make a difference or not, but RISD's supportive attitude towards creative entrepreneurship certainly will, and we hope more schools will follow suit.</p><a href="http://www.core77.com/blog/education/risds_artrepreneur_starter_kit_for_2010_graduates__16641.asp">(more...)</a>
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<p><a href="http://www.risd.edu/">RISD</a> is now supplementing its diploma with an "Artrepreneur Starter Kit," helping the graduating class of 2010 get a head start on creative entrepreneurship. Kudos to RISD president John Maeda for arranging this kit. He believes that "a new kind of design-led leadership is needed to innovate out of this global economic crisis. Artists and designers can bring their intuitive, creative thinking to a broad array of fields, and become the drivers of economic possibility in our slowed economy." </p>
<p>The kit, pictured above, will include <a href="https://squareup.com/">Square</a>, an application and peripheral for receiving credit card payments on mobile devices, a pack of <a href="http://us.moo.com/en/products/business_cards.php">MOO</a> business cards, and a free license <a href="http://everfi.com">everfi.com</a>, a financial literacy platform. </p>
<p>It's hard to say whether this particular toolkit will make a difference or not, but RISD's supportive attitude towards creative entrepreneurship certainly will, and we hope more schools will follow suit.</p><a href="http://www.core77.com/blog/education/risds_artrepreneur_starter_kit_for_2010_graduates__16641.asp">(more...)</a>
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<br><br>Absolutely gorgeous ambient maketing by Ray-Ban in Madrid's underground. Take a look at this pop-up store, a true ephemeral showroom. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>Absolutely gorgeous ambient maketing by Ray-Ban in Madrid's underground. Take a look at this pop-up store, a true ephemeral showroom. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>That master of Propaganda, Ron English, has struck again, subverting some of the corporate world’s most recognizable symbols with his inventive, witty and incisive form of artful anti-advertising. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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The BBC recently <a href="http://news.bbc.co.uk/2/hi/uk_news/politics/election_2010/8656578.stm">announced</a> [bbc.co.uk] that the results of the <a href="http://en.wikipedia.org/wiki/United_Kingdom_general_election,_2010">UK general election 2010</a> are to be projected on to St Stephen's Tower, world-famous as the clock tower that houses <a href="http://en.wikipedia.org/wiki/Big_Ben">Big Ben</a>.</p>
<p>The idea behind projecting the results in this way is to provide a clear and simple source of information and to create an "arresting" image. The results projection, which will be removed after dawn on 7 May, will feature a "winning line", representing the 326 seats that any party will need to win to be sure of an outright victory. The idea was approved by the parliamentary authorities, responsible for the management of its buildings and the BBC is said to be "delighted" with the initiative.</p>
<p>Via <a href="http://maranews.wordpress.com/2010/05/02/bbc-to-beam-general-election-results-on-to-big-ben/">Mara News</a> and <a href="http://datanamics.wordpress.com/2010/05/02/data-takes-to-the-street/">Datanemics</a>.</p>
<p><em>Note: the image on the left appeared at the BBC website. No clue why the Photoshop guy could not update the "2005" reference with a more appropriate year label. The other image originates from <a href="http://weblog.greenpeace.org/nuclear-reaction/uk/">Greenpeace</a>. I therefore hope the security has the perimeter around the tower covered for any potential data "skewing" from outside.</em></p>
<p>What do you think? Is it a useful way to display newsworthy information?</p><div>
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The BBC recently <a href="http://news.bbc.co.uk/2/hi/uk_news/politics/election_2010/8656578.stm">announced</a> [bbc.co.uk] that the results of the <a href="http://en.wikipedia.org/wiki/United_Kingdom_general_election,_2010">UK general election 2010</a> are to be projected on to St Stephen's Tower, world-famous as the clock tower that houses <a href="http://en.wikipedia.org/wiki/Big_Ben">Big Ben</a>.</p>
<p>The idea behind projecting the results in this way is to provide a clear and simple source of information and to create an "arresting" image. The results projection, which will be removed after dawn on 7 May, will feature a "winning line", representing the 326 seats that any party will need to win to be sure of an outright victory. The idea was approved by the parliamentary authorities, responsible for the management of its buildings and the BBC is said to be "delighted" with the initiative.</p>
<p>Via <a href="http://maranews.wordpress.com/2010/05/02/bbc-to-beam-general-election-results-on-to-big-ben/">Mara News</a> and <a href="http://datanamics.wordpress.com/2010/05/02/data-takes-to-the-street/">Datanemics</a>.</p>
<p><em>Note: the image on the left appeared at the BBC website. No clue why the Photoshop guy could not update the "2005" reference with a more appropriate year label. The other image originates from <a href="http://weblog.greenpeace.org/nuclear-reaction/uk/">Greenpeace</a>. I therefore hope the security has the perimeter around the tower covered for any potential data "skewing" from outside.</em></p>
<p>What do you think? Is it a useful way to display newsworthy information?</p><div>
<a href="http://feeds.infosthetics.com/~ff/infosthetics?a=rAcJuDdU290:Rx_l2dMr2yU:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/infosthetics?d=yIl2AUoC8zA" border="0"></a> <a href="http://feeds.infosthetics.com/~ff/infosthetics?a=rAcJuDdU290:Rx_l2dMr2yU:nQ_hWtDbxek"><img src="http://feeds.feedburner.com/~ff/infosthetics?d=nQ_hWtDbxek" border="0"></a> <a href="http://feeds.infosthetics.com/~ff/infosthetics?a=rAcJuDdU290:Rx_l2dMr2yU:V_sGLiPBpWU"><img src="http://feeds.feedburner.com/~ff/infosthetics?i=rAcJuDdU290:Rx_l2dMr2yU:V_sGLiPBpWU" border="0"></a> <a href="http://feeds.infosthetics.com/~ff/infosthetics?a=rAcJuDdU290:Rx_l2dMr2yU:F7zBnMyn0Lo"><img src="http://feeds.feedburner.com/~ff/infosthetics?i=rAcJuDdU290:Rx_l2dMr2yU:F7zBnMyn0Lo" border="0"></a> <a href="http://feeds.infosthetics.com/~ff/infosthetics?a=rAcJuDdU290:Rx_l2dMr2yU:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/infosthetics?d=qj6IDK7rITs" border="0"></a> <a href="http://feeds.infosthetics.com/~ff/infosthetics?a=rAcJuDdU290:Rx_l2dMr2yU:gIN9vFwOqvQ"><img src="http://feeds.feedburner.com/~ff/infosthetics?i=rAcJuDdU290:Rx_l2dMr2yU:gIN9vFwOqvQ" border="0"></a>
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