Comments on: The Path of Nonviolence
http://www.meetingsalongtheedge.com/2008/03/28/the-path-of-nonviolence/
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<p>Watch the video <a href=\"http://infosthetics.com/archives/2010/09/david_mccandless_on_the_beauty_of_data_visualization.html#extended\">below</a>. </p><div>
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<a href=\"http://www.davidmccandless.com/\">David McCandless</a> is known as the \'data journalist\' behind the impressive book <a href=\"http://www.amazon.com/gp/product/0061748366?ie=UTF8&tag=informationae-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=0061748366\">The Visual Miscellaneum: A Colorful Guide to the World\'s Most Consequential Trivia</a> and the blog <a href=\"http://www.informationisbeautiful.net/\">Information is Beautiful</a>. In a short amount of time, he has proven to be able to turn large, complex datasets into beautiful, simple diagrams that reveal unseen patterns and connections. In particular, David is one of the few people worldwide who explicitly tries to balance himself on the high rope that connects beauty and function. And this without any training in design or art.</p>
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<p><a href="http://gizmodo.com/5627530/the-future-of-screens-circa-2014">Some people</a> think this is the future. I don’t think so. Please make sure this doesn’t become the way we deal with technology. Nice presentation video, but pretty lame ideas if you ask me. I know I’m quite harsh in my comment, but I know <a href="http://www.tat.se/">TAT</a> has very clever people in-house, so I’m a bit surprised to see this coming as new and <em>the future</em>. I’ve seen a mirror-browsing project 4 years ago (students from Malmö amazingly), device stretching is a long-standing dream for many device manufacturers, and multi-devices sharing is at least 10 years old. </p>
<p><a href="http://mobileuserinterfaces.blogspot.com/2010/09/future-os-screens-experience-video.html">Source</a></p>"
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</p>
<p><a href="http://gizmodo.com/5627530/the-future-of-screens-circa-2014">Some people</a> think this is the future. I don’t think so. Please make sure this doesn’t become the way we deal with technology. Nice presentation video, but pretty lame ideas if you ask me. I know I’m quite harsh in my comment, but I know <a href="http://www.tat.se/">TAT</a> has very clever people in-house, so I’m a bit surprised to see this coming as new and <em>the future</em>. I’ve seen a mirror-browsing project 4 years ago (students from Malmö amazingly), device stretching is a long-standing dream for many device manufacturers, and multi-devices sharing is at least 10 years old. </p>
<p><a href="http://mobileuserinterfaces.blogspot.com/2010/09/future-os-screens-experience-video.html">Source</a></p>"
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<p>We're excited to hear that <a href="http://www.ponoko.com">Ponoko</a>, the popular, laser-cutter based, online fabrication system, is teaming up with SparkFun to offer electronic hardware as part of its catalog of materials, allowing makers to create polished, custom electronic products. Touch-sensitive, gps-enabled, music-producing robots that feed your cat come to mind.</p><a href="http://www.core77.com/blog/object_culture/make_custom_electronic_goods_online_ponoko_and_sparkfun_team_up__17281.asp">(more...)</a>
<p><a href="http://feedads.g.doubleclick.net/~a/dwTkXaWNyECY-fb-25Ej8eLcphQ/0/da"><img src="http://feedads.g.doubleclick.net/~a/dwTkXaWNyECY-fb-25Ej8eLcphQ/0/di" border="0" ismap></a><br>
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<p>We're excited to hear that <a href="http://www.ponoko.com">Ponoko</a>, the popular, laser-cutter based, online fabrication system, is teaming up with SparkFun to offer electronic hardware as part of its catalog of materials, allowing makers to create polished, custom electronic products. Touch-sensitive, gps-enabled, music-producing robots that feed your cat come to mind.</p><a href="http://www.core77.com/blog/object_culture/make_custom_electronic_goods_online_ponoko_and_sparkfun_team_up__17281.asp">(more...)</a>
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<p>If you're one to fantasize about having control over large-scale robots in a public space (to do good, not evil, of course), Kram/Weisshaar has teamed up with Audi to make your dreams come true during the 2010 London Design Festival.</p>
<p>As this year's Trafalgar Square Installation, Clemens Weisshaar and Reed Kram designed <a href="http://www.outrace.org/">Outrace</a>, an interactive installation in which the public - both those in Trafalgar Square and a remote global web audience - send instructions to eight large-scale industrial robots, on loan from Audi's manufacturing line. Through the Outrace website during the Festival, participants can send text messages from phones and computers, which are then transcribed as 3D light messages by the installation.</p><a href="http://www.core77.com/blog/events/london_design_festival_2010_preview_robots_in_trafalgar_square_17267.asp">(more...)</a>"
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<p>If you're one to fantasize about having control over large-scale robots in a public space (to do good, not evil, of course), Kram/Weisshaar has teamed up with Audi to make your dreams come true during the 2010 London Design Festival.</p>
<p>As this year's Trafalgar Square Installation, Clemens Weisshaar and Reed Kram designed <a href="http://www.outrace.org/">Outrace</a>, an interactive installation in which the public - both those in Trafalgar Square and a remote global web audience - send instructions to eight large-scale industrial robots, on loan from Audi's manufacturing line. Through the Outrace website during the Festival, participants can send text messages from phones and computers, which are then transcribed as 3D light messages by the installation.</p><a href="http://www.core77.com/blog/events/london_design_festival_2010_preview_robots_in_trafalgar_square_17267.asp">(more...)</a>"
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<p>2010's <a href="http://www.timetodesign.eu/">Time to Design Award</a> was presented to Norweigan <a href="http://www.sirenelisewilhelmsen.com/">Siren Elise Wilhelmsen</a> for her project <em>Developing Time—Time Developing,</em> a clock that knits 48 meshes per day, and produces one two meter long scarf per year. </p><a href="http://www.core77.com/blog/object_culture/siren_elise_wilhelmsen_wins_time_to_design_2010_with_her_knitting_clock__17251.asp">(more...)</a>
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<div><img src="http://s3files.core77.com/blog/images/2010/08/clock-scarf.jpg" width="468" height="699" alt="clock-scarf.jpg"></div>
<p>2010's <a href="http://www.timetodesign.eu/">Time to Design Award</a> was presented to Norweigan <a href="http://www.sirenelisewilhelmsen.com/">Siren Elise Wilhelmsen</a> for her project <em>Developing Time—Time Developing,</em> a clock that knits 48 meshes per day, and produces one two meter long scarf per year. </p><a href="http://www.core77.com/blog/object_culture/siren_elise_wilhelmsen_wins_time_to_design_2010_with_her_knitting_clock__17251.asp">(more...)</a>
<p><a href="http://feedads.g.doubleclick.net/~a/pw0cdpI1SOYUDp8KdgsMXv_WfIg/0/da"><img src="http://feedads.g.doubleclick.net/~a/pw0cdpI1SOYUDp8KdgsMXv_WfIg/0/di" border="0" ismap></a><br>
<a href="http://feedads.g.doubleclick.net/~a/pw0cdpI1SOYUDp8KdgsMXv_WfIg/1/da"><img src="http://feedads.g.doubleclick.net/~a/pw0cdpI1SOYUDp8KdgsMXv_WfIg/1/di" border="0" ismap></a></p>"
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<p>2)And your final thesis, make sure you have a sponsor for it. Don’t do overly futuristic stuff, or if you do make sure it ties down to the basics of IxD. The companies are interested if you have the capability to do the stuff, before they are in your ideas.</p>
<p>3)As soon as you graduate, the places you go for interviews will start asking if you can do wireframes, patterns and flowcharts. If you don’t know what those are, don’t worry. They are the simplest thing ever and you probably can do better.</p>
<p>4) Learn to code. HTML, Javascript, PHP and all that jazz is very good to know, and I guarantee it will help you in getting a job. Flash is pretty much dead, the reasons for that are pretty much all over the web and is related to the runtime itself, still, it’s up to you if you want to learn it as a lot of companies still use it. I wouldn’t.</p>
<p>5) Physical computing is great, it’s fun, it’s the future and you should learn to do it, but, the truth is.. nobody is interested in the future, unless they have a lot of money and/or genuine interest to do it. Almost every company I have interviewed at say that it’s interesting and they want to do that, but lack of funding or interest towards hardware interaction is a hard sell for marketing people. Things might change soon, though, as NFC phones are becoming mainstream next year, at least most of the Nokias. More about that later.</p>
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<p>7) Learn to design mobile stuff. Before it was web, now it’s mobile apps. Don’t limit yourself to iPhones, as good as they are, they are meant for rich people.</p>
<p>8) Don’t worry about operating systems or design guidelines and things called “Scrum” or “Agile”, you really can live without those. They may help you in getting job, however. But, the job you are gonna get is closer to development than design work. Your choice.</p>
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<br><br>Dirty Water Campaign ~ dirty water vending machine dropped in Manhattan for World Water Week! As part of UNICEF's Tap Project to make people realize just how bad water-related diseases are... <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>Check out this amazing concept for Mars. The agency FHV BBDO won a Gold Lion at Canne's Advertising Festival with this packaging people can share with personal messages. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>Conflict Kitchen is a take-out restaurant that only serves cuisine from countries that the United States is in conflict with. The food is served out of a take-out style storefront, which will rotate identities every 4 months to highlight another country. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<p><a href="http://www.volumique.com/en/">Les Editions Volumiques</a> finally launched their website showing plenty of curious and original products based on mixing paper and digital technologies:</p>
<blockquote><p>“<i>Here are the first pieces of les évolutions dynamiques following research on both volume and interactivity, playfully mixing paper and computation. By allowing interactivity and gameplay in the page (for example with the Duckette project) or between the pages (in The book that turns its own pages, or Labyrinthe), we try to bring new life to paper. We then pushed physical behavior to paper and ink (the book that disapears). There, the paper is no longer only the frame for representation, but at the same time the field of a real physical experience. We also played with the volume and perspective of book and content (paradoxales, Meeting-Zombies). And then, we tried to combine paper with this little computer-object almost of us all carry everywhere: our cell phone (the night of the living dead pixels, (i) pirates).</i>“</p></blockquote>
<p><b>Why do I blog this?</b> I find these projects fascinating and love the idea of mixing digital tech with paper to create compelling user experiences. The examples showed on the picture (see more on their website) are stunning and show the future of books go far beyond boring reading machines. The use of playful metaphors and game mechanics in the work of Bertrand and Etienne are also highly intriguing for those interested in inspiring ways to renew the reading experience.</p>
<p>Besides, if you’re interested in this type of “paper computing”, be sure to check the <a href="http://www.papercomp.org/Papercomp/PaperComp_2010.html">Papercomp 2010</a> workshop at Ubicomp. Organized by friends from EPFL, it’s based on similar ideas:</p>
<blockquote><p>“<i>Paper is not dead. Books, magazines and other printed materials can now be connected to the digital world, enriched with additional content and even transformed into interactive interfaces. Conversely, some of the screen-based interfaces we currently use to interact with digital data could benefit from being paper-based or make use of specially designed material as light and flexible as paper. In a near future, printed documents could become new ubiquitous interfaces for our everyday interactions with digital information. This is the dawn of paper computing. </i>“</p></blockquote>
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<blockquote><p>“<i>Here are the first pieces of les évolutions dynamiques following research on both volume and interactivity, playfully mixing paper and computation. By allowing interactivity and gameplay in the page (for example with the Duckette project) or between the pages (in The book that turns its own pages, or Labyrinthe), we try to bring new life to paper. We then pushed physical behavior to paper and ink (the book that disapears). There, the paper is no longer only the frame for representation, but at the same time the field of a real physical experience. We also played with the volume and perspective of book and content (paradoxales, Meeting-Zombies). And then, we tried to combine paper with this little computer-object almost of us all carry everywhere: our cell phone (the night of the living dead pixels, (i) pirates).</i>“</p></blockquote>
<p><b>Why do I blog this?</b> I find these projects fascinating and love the idea of mixing digital tech with paper to create compelling user experiences. The examples showed on the picture (see more on their website) are stunning and show the future of books go far beyond boring reading machines. The use of playful metaphors and game mechanics in the work of Bertrand and Etienne are also highly intriguing for those interested in inspiring ways to renew the reading experience.</p>
<p>Besides, if you’re interested in this type of “paper computing”, be sure to check the <a href="http://www.papercomp.org/Papercomp/PaperComp_2010.html">Papercomp 2010</a> workshop at Ubicomp. Organized by friends from EPFL, it’s based on similar ideas:</p>
<blockquote><p>“<i>Paper is not dead. Books, magazines and other printed materials can now be connected to the digital world, enriched with additional content and even transformed into interactive interfaces. Conversely, some of the screen-based interfaces we currently use to interact with digital data could benefit from being paper-based or make use of specially designed material as light and flexible as paper. In a near future, printed documents could become new ubiquitous interfaces for our everyday interactions with digital information. This is the dawn of paper computing. </i>“</p></blockquote>
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<p><a href="http://www.risd.edu/">RISD</a> is now supplementing its diploma with an "Artrepreneur Starter Kit," helping the graduating class of 2010 get a head start on creative entrepreneurship. Kudos to RISD president John Maeda for arranging this kit. He believes that "a new kind of design-led leadership is needed to innovate out of this global economic crisis. Artists and designers can bring their intuitive, creative thinking to a broad array of fields, and become the drivers of economic possibility in our slowed economy." </p>
<p>The kit, pictured above, will include <a href="https://squareup.com/">Square</a>, an application and peripheral for receiving credit card payments on mobile devices, a pack of <a href="http://us.moo.com/en/products/business_cards.php">MOO</a> business cards, and a free license <a href="http://everfi.com">everfi.com</a>, a financial literacy platform. </p>
<p>It's hard to say whether this particular toolkit will make a difference or not, but RISD's supportive attitude towards creative entrepreneurship certainly will, and we hope more schools will follow suit.</p><a href="http://www.core77.com/blog/education/risds_artrepreneur_starter_kit_for_2010_graduates__16641.asp">(more...)</a>
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<p><a href="http://www.risd.edu/">RISD</a> is now supplementing its diploma with an "Artrepreneur Starter Kit," helping the graduating class of 2010 get a head start on creative entrepreneurship. Kudos to RISD president John Maeda for arranging this kit. He believes that "a new kind of design-led leadership is needed to innovate out of this global economic crisis. Artists and designers can bring their intuitive, creative thinking to a broad array of fields, and become the drivers of economic possibility in our slowed economy." </p>
<p>The kit, pictured above, will include <a href="https://squareup.com/">Square</a>, an application and peripheral for receiving credit card payments on mobile devices, a pack of <a href="http://us.moo.com/en/products/business_cards.php">MOO</a> business cards, and a free license <a href="http://everfi.com">everfi.com</a>, a financial literacy platform. </p>
<p>It's hard to say whether this particular toolkit will make a difference or not, but RISD's supportive attitude towards creative entrepreneurship certainly will, and we hope more schools will follow suit.</p><a href="http://www.core77.com/blog/education/risds_artrepreneur_starter_kit_for_2010_graduates__16641.asp">(more...)</a>
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<br><br>Absolutely gorgeous ambient maketing by Ray-Ban in Madrid's underground. Take a look at this pop-up store, a true ephemeral showroom. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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string(1210) "Copycat design as an open platform for innovation<br><p>Countries, from the US to Japan, regularly accuse China of copying designs. Indeed, multinational companies in these countries spend an inordinate amount of time and money trying to prevent their products from being copied. But Shanzhai — “copycat” design — represents <br>
a vast business opportunity. </p>
<p>Shanzhai is an open platform for grassroots innovation: <a href="http://www.apple.com/startpage/" title="Apple">Apple</a>, <a href="http://ncomprod.nokia.com/" title="Nokia">Nokia</a>, and <a href="http://www.samsung.com/us/" title="Samsung">Samsung</a> smartphones get copied, but the knockoffs adapt the original designs in ways that appeal to Chinese customers. Shanzhai designers might add a flashlight, key in areas with unstable electricity. </p>
<p>The effect is to make products accessible to common folks in terms of price, aesthetics, values, and needs. Shanzhai designs are an opportunity for international companies to introduce Chinese consumers to their brands, and then observe how local Chinese culture adapts their offerings. </p>
<p><em>How might companies harness learning by observing Shanzhai designs?</em>
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<p><a href="http://gizmodo.com/5627530/the-future-of-screens-circa-2014">Some people</a> think this is the future. I don’t think so. Please make sure this doesn’t become the way we deal with technology. Nice presentation video, but pretty lame ideas if you ask me. I know I’m quite harsh in my comment, but I know <a href="http://www.tat.se/">TAT</a> has very clever people in-house, so I’m a bit surprised to see this coming as new and <em>the future</em>. I’ve seen a mirror-browsing project 4 years ago (students from Malmö amazingly), device stretching is a long-standing dream for many device manufacturers, and multi-devices sharing is at least 10 years old. </p>
<p><a href="http://mobileuserinterfaces.blogspot.com/2010/09/future-os-screens-experience-video.html">Source</a></p>"
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<p><a href="http://gizmodo.com/5627530/the-future-of-screens-circa-2014">Some people</a> think this is the future. I don’t think so. Please make sure this doesn’t become the way we deal with technology. Nice presentation video, but pretty lame ideas if you ask me. I know I’m quite harsh in my comment, but I know <a href="http://www.tat.se/">TAT</a> has very clever people in-house, so I’m a bit surprised to see this coming as new and <em>the future</em>. I’ve seen a mirror-browsing project 4 years ago (students from Malmö amazingly), device stretching is a long-standing dream for many device manufacturers, and multi-devices sharing is at least 10 years old. </p>
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<p>We're excited to hear that <a href="http://www.ponoko.com">Ponoko</a>, the popular, laser-cutter based, online fabrication system, is teaming up with SparkFun to offer electronic hardware as part of its catalog of materials, allowing makers to create polished, custom electronic products. Touch-sensitive, gps-enabled, music-producing robots that feed your cat come to mind.</p><a href="http://www.core77.com/blog/object_culture/make_custom_electronic_goods_online_ponoko_and_sparkfun_team_up__17281.asp">(more...)</a>
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<p>If you're one to fantasize about having control over large-scale robots in a public space (to do good, not evil, of course), Kram/Weisshaar has teamed up with Audi to make your dreams come true during the 2010 London Design Festival.</p>
<p>As this year's Trafalgar Square Installation, Clemens Weisshaar and Reed Kram designed <a href="http://www.outrace.org/">Outrace</a>, an interactive installation in which the public - both those in Trafalgar Square and a remote global web audience - send instructions to eight large-scale industrial robots, on loan from Audi's manufacturing line. Through the Outrace website during the Festival, participants can send text messages from phones and computers, which are then transcribed as 3D light messages by the installation.</p><a href="http://www.core77.com/blog/events/london_design_festival_2010_preview_robots_in_trafalgar_square_17267.asp">(more...)</a>"
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<p>If you're one to fantasize about having control over large-scale robots in a public space (to do good, not evil, of course), Kram/Weisshaar has teamed up with Audi to make your dreams come true during the 2010 London Design Festival.</p>
<p>As this year's Trafalgar Square Installation, Clemens Weisshaar and Reed Kram designed <a href="http://www.outrace.org/">Outrace</a>, an interactive installation in which the public - both those in Trafalgar Square and a remote global web audience - send instructions to eight large-scale industrial robots, on loan from Audi's manufacturing line. Through the Outrace website during the Festival, participants can send text messages from phones and computers, which are then transcribed as 3D light messages by the installation.</p><a href="http://www.core77.com/blog/events/london_design_festival_2010_preview_robots_in_trafalgar_square_17267.asp">(more...)</a>"
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<p>2010's <a href="http://www.timetodesign.eu/">Time to Design Award</a> was presented to Norweigan <a href="http://www.sirenelisewilhelmsen.com/">Siren Elise Wilhelmsen</a> for her project <em>Developing Time—Time Developing,</em> a clock that knits 48 meshes per day, and produces one two meter long scarf per year. </p><a href="http://www.core77.com/blog/object_culture/siren_elise_wilhelmsen_wins_time_to_design_2010_with_her_knitting_clock__17251.asp">(more...)</a>
<p><a href="http://feedads.g.doubleclick.net/~a/pw0cdpI1SOYUDp8KdgsMXv_WfIg/0/da"><img src="http://feedads.g.doubleclick.net/~a/pw0cdpI1SOYUDp8KdgsMXv_WfIg/0/di" border="0" ismap></a><br>
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<p>2010's <a href="http://www.timetodesign.eu/">Time to Design Award</a> was presented to Norweigan <a href="http://www.sirenelisewilhelmsen.com/">Siren Elise Wilhelmsen</a> for her project <em>Developing Time—Time Developing,</em> a clock that knits 48 meshes per day, and produces one two meter long scarf per year. </p><a href="http://www.core77.com/blog/object_culture/siren_elise_wilhelmsen_wins_time_to_design_2010_with_her_knitting_clock__17251.asp">(more...)</a>
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<p>4) Learn to code. HTML, Javascript, PHP and all that jazz is very good to know, and I guarantee it will help you in getting a job. Flash is pretty much dead, the reasons for that are pretty much all over the web and is related to the runtime itself, still, it’s up to you if you want to learn it as a lot of companies still use it. I wouldn’t.</p>
<p>5) Physical computing is great, it’s fun, it’s the future and you should learn to do it, but, the truth is.. nobody is interested in the future, unless they have a lot of money and/or genuine interest to do it. Almost every company I have interviewed at say that it’s interesting and they want to do that, but lack of funding or interest towards hardware interaction is a hard sell for marketing people. Things might change soon, though, as NFC phones are becoming mainstream next year, at least most of the Nokias. More about that later.</p>
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<p>5) Physical computing is great, it’s fun, it’s the future and you should learn to do it, but, the truth is.. nobody is interested in the future, unless they have a lot of money and/or genuine interest to do it. Almost every company I have interviewed at say that it’s interesting and they want to do that, but lack of funding or interest towards hardware interaction is a hard sell for marketing people. Things might change soon, though, as NFC phones are becoming mainstream next year, at least most of the Nokias. More about that later.</p>
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<p>7) Learn to design mobile stuff. Before it was web, now it’s mobile apps. Don’t limit yourself to iPhones, as good as they are, they are meant for rich people.</p>
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<br><br>Dirty Water Campaign ~ dirty water vending machine dropped in Manhattan for World Water Week! As part of UNICEF's Tap Project to make people realize just how bad water-related diseases are... <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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While there are more than plenty <a href="http://www.mediaarchitecture.org/">media architecture projects</a> around, most can be described as a form of spectacular self-centered architectural decoration, rather than some sort of technological answer to an existing social context within the local environment. The <a href="http://www.archdaily.com/23239/moodwall-studio-klink-and-urban-alliance/">Moodwall</a> [archdaily.com] might be one of the first exceptions. Moodwall is a 24-meter long interactive surface containing 25,000 LED lights, which acts as a stage for art and media in a neighborhood of Amsterdam. The wall, located in a low pedestrian tunnel, reacts to the movement of passers-by by dynamic light changes, with the overall aim to reduce the feeling of unsafeness in the local area. </p>
<p>The curves in the wall should make it less suitable for grafitti and improve the visibility of the content from the sides. In addition, the resolution is horizontally stretched so the images of the screen so to stimulate people to watch the imagery from outside the tunnel and prevent the tunnel to become a hang-out spot.</p>
<p>Reminds me of the (now defunct?) <a href="http://infosthetics.com/archives/2006/01/interactive_waterfall_display_childrens_hospital.html">interactive waterfall</a>.</p><div>
<a href="http://feeds.infosthetics.com/~ff/infosthetics?a=PXOM2W080Ro:m8L3JYu-Jn8:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/infosthetics?d=yIl2AUoC8zA" border="0"></a> <a href="http://feeds.infosthetics.com/~ff/infosthetics?a=PXOM2W080Ro:m8L3JYu-Jn8:nQ_hWtDbxek"><img src="http://feeds.feedburner.com/~ff/infosthetics?d=nQ_hWtDbxek" border="0"></a> <a href="http://feeds.infosthetics.com/~ff/infosthetics?a=PXOM2W080Ro:m8L3JYu-Jn8:V_sGLiPBpWU"><img src="http://feeds.feedburner.com/~ff/infosthetics?i=PXOM2W080Ro:m8L3JYu-Jn8:V_sGLiPBpWU" border="0"></a> <a href="http://feeds.infosthetics.com/~ff/infosthetics?a=PXOM2W080Ro:m8L3JYu-Jn8:F7zBnMyn0Lo"><img src="http://feeds.feedburner.com/~ff/infosthetics?i=PXOM2W080Ro:m8L3JYu-Jn8:F7zBnMyn0Lo" border="0"></a> <a href="http://feeds.infosthetics.com/~ff/infosthetics?a=PXOM2W080Ro:m8L3JYu-Jn8:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/infosthetics?d=qj6IDK7rITs" border="0"></a> <a href="http://feeds.infosthetics.com/~ff/infosthetics?a=PXOM2W080Ro:m8L3JYu-Jn8:gIN9vFwOqvQ"><img src="http://feeds.feedburner.com/~ff/infosthetics?i=PXOM2W080Ro:m8L3JYu-Jn8:gIN9vFwOqvQ" border="0"></a>
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While there are more than plenty <a href="http://www.mediaarchitecture.org/">media architecture projects</a> around, most can be described as a form of spectacular self-centered architectural decoration, rather than some sort of technological answer to an existing social context within the local environment. The <a href="http://www.archdaily.com/23239/moodwall-studio-klink-and-urban-alliance/">Moodwall</a> [archdaily.com] might be one of the first exceptions. Moodwall is a 24-meter long interactive surface containing 25,000 LED lights, which acts as a stage for art and media in a neighborhood of Amsterdam. The wall, located in a low pedestrian tunnel, reacts to the movement of passers-by by dynamic light changes, with the overall aim to reduce the feeling of unsafeness in the local area. </p>
<p>The curves in the wall should make it less suitable for grafitti and improve the visibility of the content from the sides. In addition, the resolution is horizontally stretched so the images of the screen so to stimulate people to watch the imagery from outside the tunnel and prevent the tunnel to become a hang-out spot.</p>
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<br><br>How does one build awareness for a premium range of non-stick pans? Develop a spectacular event using a giant wok and in-line skaters dressed as prawns, pork, eggs... For Sapor, by Leo Burnett, Shanghai. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>Fresh mammoth steaks, juicy dinosaur legs and tender sabertooth fillets. Fresh Stone Age meat in the freezer sections of supermarkets to promote the revolutionary cooling technology VitaFresh from Bosch. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>Great project "Urban Dive" by Pages Jaunes including augmented reality, immersive view and widgets. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>Great project "Urban Dive" by Pages Jaunes including augmented reality, immersive view and widgets. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>Conflict Kitchen is a take-out restaurant that only serves cuisine from countries that the United States is in conflict with. The food is served out of a take-out style storefront, which will rotate identities every 4 months to highlight another country. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<p><a href="http://www.volumique.com/en/">Les Editions Volumiques</a> finally launched their website showing plenty of curious and original products based on mixing paper and digital technologies:</p>
<blockquote><p>“<i>Here are the first pieces of les évolutions dynamiques following research on both volume and interactivity, playfully mixing paper and computation. By allowing interactivity and gameplay in the page (for example with the Duckette project) or between the pages (in The book that turns its own pages, or Labyrinthe), we try to bring new life to paper. We then pushed physical behavior to paper and ink (the book that disapears). There, the paper is no longer only the frame for representation, but at the same time the field of a real physical experience. We also played with the volume and perspective of book and content (paradoxales, Meeting-Zombies). And then, we tried to combine paper with this little computer-object almost of us all carry everywhere: our cell phone (the night of the living dead pixels, (i) pirates).</i>“</p></blockquote>
<p><b>Why do I blog this?</b> I find these projects fascinating and love the idea of mixing digital tech with paper to create compelling user experiences. The examples showed on the picture (see more on their website) are stunning and show the future of books go far beyond boring reading machines. The use of playful metaphors and game mechanics in the work of Bertrand and Etienne are also highly intriguing for those interested in inspiring ways to renew the reading experience.</p>
<p>Besides, if you’re interested in this type of “paper computing”, be sure to check the <a href="http://www.papercomp.org/Papercomp/PaperComp_2010.html">Papercomp 2010</a> workshop at Ubicomp. Organized by friends from EPFL, it’s based on similar ideas:</p>
<blockquote><p>“<i>Paper is not dead. Books, magazines and other printed materials can now be connected to the digital world, enriched with additional content and even transformed into interactive interfaces. Conversely, some of the screen-based interfaces we currently use to interact with digital data could benefit from being paper-based or make use of specially designed material as light and flexible as paper. In a near future, printed documents could become new ubiquitous interfaces for our everyday interactions with digital information. This is the dawn of paper computing. </i>“</p></blockquote>
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<p>Besides, if you’re interested in this type of “paper computing”, be sure to check the <a href="http://www.papercomp.org/Papercomp/PaperComp_2010.html">Papercomp 2010</a> workshop at Ubicomp. Organized by friends from EPFL, it’s based on similar ideas:</p>
<blockquote><p>“<i>Paper is not dead. Books, magazines and other printed materials can now be connected to the digital world, enriched with additional content and even transformed into interactive interfaces. Conversely, some of the screen-based interfaces we currently use to interact with digital data could benefit from being paper-based or make use of specially designed material as light and flexible as paper. In a near future, printed documents could become new ubiquitous interfaces for our everyday interactions with digital information. This is the dawn of paper computing. </i>“</p></blockquote>
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<p><a href="http://www.risd.edu/">RISD</a> is now supplementing its diploma with an "Artrepreneur Starter Kit," helping the graduating class of 2010 get a head start on creative entrepreneurship. Kudos to RISD president John Maeda for arranging this kit. He believes that "a new kind of design-led leadership is needed to innovate out of this global economic crisis. Artists and designers can bring their intuitive, creative thinking to a broad array of fields, and become the drivers of economic possibility in our slowed economy." </p>
<p>The kit, pictured above, will include <a href="https://squareup.com/">Square</a>, an application and peripheral for receiving credit card payments on mobile devices, a pack of <a href="http://us.moo.com/en/products/business_cards.php">MOO</a> business cards, and a free license <a href="http://everfi.com">everfi.com</a>, a financial literacy platform. </p>
<p>It's hard to say whether this particular toolkit will make a difference or not, but RISD's supportive attitude towards creative entrepreneurship certainly will, and we hope more schools will follow suit.</p><a href="http://www.core77.com/blog/education/risds_artrepreneur_starter_kit_for_2010_graduates__16641.asp">(more...)</a>
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<p><a href="http://www.risd.edu/">RISD</a> is now supplementing its diploma with an "Artrepreneur Starter Kit," helping the graduating class of 2010 get a head start on creative entrepreneurship. Kudos to RISD president John Maeda for arranging this kit. He believes that "a new kind of design-led leadership is needed to innovate out of this global economic crisis. Artists and designers can bring their intuitive, creative thinking to a broad array of fields, and become the drivers of economic possibility in our slowed economy." </p>
<p>The kit, pictured above, will include <a href="https://squareup.com/">Square</a>, an application and peripheral for receiving credit card payments on mobile devices, a pack of <a href="http://us.moo.com/en/products/business_cards.php">MOO</a> business cards, and a free license <a href="http://everfi.com">everfi.com</a>, a financial literacy platform. </p>
<p>It's hard to say whether this particular toolkit will make a difference or not, but RISD's supportive attitude towards creative entrepreneurship certainly will, and we hope more schools will follow suit.</p><a href="http://www.core77.com/blog/education/risds_artrepreneur_starter_kit_for_2010_graduates__16641.asp">(more...)</a>
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<br><br>Absolutely gorgeous ambient maketing by Ray-Ban in Madrid's underground. Take a look at this pop-up store, a true ephemeral showroom. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<br><br>Absolutely gorgeous ambient maketing by Ray-Ban in Madrid's underground. Take a look at this pop-up store, a true ephemeral showroom. <br><br><i> (Want more? See <a href="http://www.notcot.org">NOTCOT.org</a> and <a href="http://www.notcot.com">NOTCOT.com</a>)</i>"
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<a href="http://www.davidmccandless.com/">David McCandless</a> is known as the 'data journalist' behind the impressive book <a href="http://www.amazon.com/gp/product/0061748366?ie=UTF8&tag=informationae-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=0061748366">The Visual Miscellaneum: A Colorful Guide to the World's Most Consequential Trivia</a> and the blog <a href="http://www.informationisbeautiful.net/">Information is Beautiful</a>. In a short amount of time, he has proven to be able to turn large, complex datasets into beautiful, simple diagrams that reveal unseen patterns and connections. In particular, David is one of the few people worldwide who explicitly tries to balance himself on the high rope that connects beauty and function. And this without any training in design or art.</p>
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<a href="http://www.davidmccandless.com/">David McCandless</a> is known as the 'data journalist' behind the impressive book <a href="http://www.amazon.com/gp/product/0061748366?ie=UTF8&tag=informationae-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=0061748366">The Visual Miscellaneum: A Colorful Guide to the World's Most Consequential Trivia</a> and the blog <a href="http://www.informationisbeautiful.net/">Information is Beautiful</a>. In a short amount of time, he has proven to be able to turn large, complex datasets into beautiful, simple diagrams that reveal unseen patterns and connections. In particular, David is one of the few people worldwide who explicitly tries to balance himself on the high rope that connects beauty and function. And this without any training in design or art.</p>
<p>Watch the video <a href="http://infosthetics.com/archives/2010/09/david_mccandless_on_the_beauty_of_data_visualization.html#extended">below</a>. </p><div>
<a href="http://feeds.infosthetics.com/~ff/infosthetics?a=fcY985LYY9I:EoLAC04pNAc:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/infosthetics?d=yIl2AUoC8zA" border="0"></a> <a href="http://feeds.infosthetics.com/~ff/infosthetics?a=fcY985LYY9I:EoLAC04pNAc:nQ_hWtDbxek"><img src="http://feeds.feedburner.com/~ff/infosthetics?d=nQ_hWtDbxek" border="0"></a> <a href="http://feeds.infosthetics.com/~ff/infosthetics?a=fcY985LYY9I:EoLAC04pNAc:V_sGLiPBpWU"><img src="http://feeds.feedburner.com/~ff/infosthetics?i=fcY985LYY9I:EoLAC04pNAc:V_sGLiPBpWU" border="0"></a> <a href="http://feeds.infosthetics.com/~ff/infosthetics?a=fcY985LYY9I:EoLAC04pNAc:F7zBnMyn0Lo"><img src="http://feeds.feedburner.com/~ff/infosthetics?i=fcY985LYY9I:EoLAC04pNAc:F7zBnMyn0Lo" border="0"></a> <a href="http://feeds.infosthetics.com/~ff/infosthetics?a=fcY985LYY9I:EoLAC04pNAc:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/infosthetics?d=qj6IDK7rITs" border="0"></a> <a href="http://feeds.infosthetics.com/~ff/infosthetics?a=fcY985LYY9I:EoLAC04pNAc:gIN9vFwOqvQ"><img src="http://feeds.feedburner.com/~ff/infosthetics?i=fcY985LYY9I:EoLAC04pNAc:gIN9vFwOqvQ" border="0"></a>
</div><img src="http://feeds.feedburner.com/~r/infosthetics/~4/fcY985LYY9I" height="1" width="1">"
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